As MI5, the UK Security Service, issues a warning about foreign interference, Terry Grimwood’s new book also examines interference in government for military advantage

In the time-honoured tradition of science fiction writers holding up a mirror to society, using a story ostensibly set in the future or on another planet, Interference explores how grubby political deals would still infect our dealings with other planets and civilisations.

DARTFORD, KENT – 18 January 2022 – Elsewhen Press is a publishing house specialising in high quality, entertaining and thought-provoking speculative fiction. Many science fiction stories address current, real-world issues but through the fictional prism of an alternative society. Interference, the latest story from author Terry Grimwood, well-known for scrutinising politics in his science fiction, is no exception.

Terry says “Science fiction is the perfect lens through which contemporary social and political issues can be examined. Transplanting one or more aspects of the human condition into a futuristic or alien setting gives the writer space to tease out, and study, its heart.”

If a government envoy, trying to examine a foreign request for military aid in a contentious war, becomes aware that what is on offer in return is potentially valuable to their own government, how do they maintain an ethical position? If it would also be personally rewarding, the temptation would be even greater; or if the health of sick family members would be improved…

Peter Buck, Editorial Director of Elsewhen Press said, “Terry very quickly builds a believable setting in which a statesman is subjected to ethical dilemma, profound temptation and unconscionable pressure. Being a science fiction story where the politician is a human negotiating on behalf of Earth with a powerful alien species may make the situation easier to imagine and understand, and in many ways more believable, but it does not make the moral choices any less real. At a time when many of us are rightly questioning the principles and standards of conduct to which our leaders should be held, Interference sheds a light on human behaviour under duress, the ease with which bribery can be self-justified, the inexcusable defence of ‘just following orders’, and how small corrupt deals may be denounced by political leaders or the media but the biggest corruptions are hailed as statesmanship. It was intriguing to see the very same word, ‘interference’, being used by MI5 in their warning on the very day that Terry’s book became available for pre-order. Science Fiction is often prescient!”

Elsewhen Press is delighted to announce that Interference is available for pre-order in ebook and print editions, in advance of publication at the end of this month.

Notes for Editors

About Terry Grimwood

Suffolk born and proud of it, Terry Grimwood is the author of a handful of novels and novellas, including Deadside Revolution, the science fiction-flavoured political thriller Bloody War and Joe which was inspired by true events. His short stories have appeared in numerous magazines and anthologies and have been gathered into three collections, The Exaggerated Man, There Is A Way To Live Forever and Affairs of a Cardio-Vascular Nature. Terry has also written and Directed three plays as well as co-written engineering textbooks for Pearson Educational Press. He plays the harmonica and with a little persuasion (not much persuasion, actually) will growl a song into a microphone. By day he teaches electrical installation at a further education college. He is married to Debra, the love of his life.

About Interference

The grubby dance of politics didn’t end when we left the solar system, it followed us to the stars

Cover design and artwork: Alex Storer
Cover design and artwork: Alex Storer

The god-like Iaens are infinitely more advanced than humankind, so why have they requested military assistance in a conflict they can surely win unaided?

Torstein Danielson, Secretary for Interplanetary Affairs, is on a fact-finding mission to their home planet and headed straight into the heart of a war-zone. With him, onboard the Starship Kissinger, is a detachment of marines for protection, an embedded pack of sycophantic journalists who are not expected to cause trouble, and reporter Katherina Molale, who most certainly will and is never afraid to dig for the truth.

Torstein wants this mission over as quickly as possible. His daughter is terminally ill, his marriage in tatters. But then the Iaens offer a gift in return for military intervention and suddenly the stakes, both for humanity as a race and for Torstein personally, are very high indeed.

Cover design: Alex Storer

We are no longer able to ship our books outside the UK

Unfortunately, due to the latest regulations that have now come into effect as a result of the Brexit ‘deal’, it is now too difficult and expensive for us to ship books outside the UK. We will continue to monitor the situation; as and when some semblance of sense returns we may be able to resume international shipping (but don’t hold your breath – we’d need a new government that isn’t mindlessly xenophobic).

In the meantime, we are advising our non-UK customers to obtain our books from international or larger retailers who are able to manage the excessive bureaucracy.

We apologise for the inconvenience.

Independent small press to publish new titles despite resurging pandemic

Like many small arts organisations, the lack of government support has meant that Elsewhen Press has been struggling to keep publishing during the pandemic.

DARTFORD, KENT – 28 December 2021 – Elsewhen Press is a publishing house specialising in high quality, entertaining and thought-provoking speculative fiction – specifically set up in 2011 to champion new authors. The books they publish often address current, real-world issues but through a fictional prism. Obviously, one of the most significant real-world issues over the last two years has been the global pandemic that has been ravaging many aspects of society, affecting people’s health and mental wellbeing, as well as the resulting economic effects. The impact has been anything but fictional.

“As a small business we have had no support from government,” says Peter Buck, Elsewhen Press Editorial Director, “and our income has been decimated. Meanwhile the costs of paper, printing and shipping have spiralled. Before the first lockdown, many pundits predicted an increase in the sales of eBooks, but that was not the experience of most indie presses; indeed book sales slumped, as people struggled to pay even their everyday bills on reduced incomes. Some indie presses have had to give up completely. We have been lucky enough to be able to keep going thanks to personal loans and family support, and we have even managed to publish those new titles that we had already planned – albeit most of them somewhat later than we had intended. We felt that it was important to keep publishing as much as we could. For many readers, being able to escape into a good book is what has been helping them cope with the unprecedented stress of everyday life. For some authors the enforced isolation has encouraged them to write.

“As autumn arrived this year, it was looking like things might finally start returning to some sort of ‘new normal’ with bookshops open again, even some science fiction and fantasy conventions restarting. At the Novacon convention in November, our first in-person event for almost two years, we had a joint, belated launch party for the titles we had published since the initial lockdown, and we finally got to reconnect with some of our readers. But that fillip has been shortlived, and with the impact of the Omicron variant we are now no longer certain if we will be able to hold launch parties for the new titles that we will be publishing at the start of 2022.

“Whether or not we are able to hold launch events for them, we will be publishing a number of great new books early next year:

 

Blood Legacy, the second book in a fantasy series from Cardiff-based writer Tej Turner – we published the first book in the series, Bloodsworn, in January of this year;

 

Interference by Terry Grimwood, a science fiction novella where grubby politics is still interfering when humanity goes interstellar;

 

The Forge and the Flood by Durham-based author Miles Nelson, a YA fantasy allegory that touches on identity and the illusion of difference – we published Miles’ debut novel Riftmaster in March this year;

 

The Seven Succubi by Simon Kewin, a witty contemporary police procedural with a difference. Instead of CID, the investigators work for the secretive HM Office of the Witchfinder General – during lockdown in 2020, we published the first book in the series, The Eye Collectors, which one reader described as ‘Dirk Gently meets Good Omens’.”

Notes for Editors

About Tej Turner

Blood Legacy cover artwork: Alison Buck
Cover design: Alison Buck

Tej Turner has spent much of his life on the move and does not have any particular place he calls ‘home’. For a large period of his childhood, he dwelt within the Westcountry of England, and he then moved to rural Wales to study Creative Writing and Film at Trinity College in Carmarthen, followed by a master’s degree at The University of Wales Lampeter. After completing his studies, he moved to Cardiff, where he works as a chef by day and writes by moonlight. He is also an intermittent traveller who every now and then straps on a backpack and flies off to another part of the world to go on an adventure. Blood Legacy is his fourth published novel, following Bloodsworn, the first in the Avatars of Ruin series. His debut novel The Janus Cycle was published by Elsewhen Press in 2015, followed by his sequel Dinnusos Rises in 2017. Both of them were described as ‘gritty and surreal urban fantasy’. He has also had short stories published in various anthologies.

About Terry Grimwood

Cover design and artwork: Alex Storer
Cover design and artwork: Alex Storer

Suffolk born and proud of it, Terry Grimwood is the author of a handful of novels and novellas, including Deadside Revolution, the science fiction-flavoured political thriller Bloody War and Joe which was inspired by true events. His short stories have appeared in numerous magazines and anthologies and have been gathered into three collections, The Exaggerated Man, There Is A Way To Live Forever and Affairs of a Cardio-Vascular Nature. Terry has also written and Directed three plays as well as co-written engineering textbooks for Pearson Educational Press. He plays the harmonica and with a little persuasion (not much persuasion, actually) will growl a song into a microphone. By day he teaches electrical installation at a further education college. He is married to Debra, the love of his life.

About Miles Nelson

Cover art: Miles Nelson
Cover art: Miles Nelson

Miles was born and raised in Durham. He studied video game design at Teesside University, graduating in 2018. Since then, he has taken a step back from coding to work on his writing career, and has since led several masterclasses with New Writing North. He has been writing all his life, and whilst he is primarily a sci-fi writer who loves long journeys, strange worlds and all things space and stars, he has also had brief flings with the genres of fantasy and horror. He often writes stories highlighting the struggles faced by the LGBTQ+ community, and tries to include themes of empathy and inclusivity in all he does. Even then, though, Miles stands firm in the belief that this is not the defining element of his stories. And although he tries to represent his community as best he can, these themes are never the main focus; because he believes that (in most cases) a person shouldn’t be defined by their deviation from standard norms. Outside of scifi and fantasy, he has a deep-rooted fascination with natural history, and collects books told from unique perspectives (be they animal, alien, or mammoths from Mars). The older, the better; his oldest book is just about to turn 100! He currently lives in Durham City with his husband, Chris, who so far seems unworried by Miles’ rapidly growing collections.

About Simon Kewin

Cover image: Alison Buck
Cover image: Alison Buck

Simon Kewin is a pseudonym used by an infinite number of monkeys who operate from a secret location deep in the English countryside. Every now and then they produce a manuscript that reads as a complete novel with a beginning, a middle and an end. Sometimes even in that order. The Simon Kewin persona devised by the monkeys was born on the misty Isle of Man in the middle of the Irish Sea, at around the time The Beatles were twisting and shouting. He moved to the UK as a teenager, where he still resides. He is the author of over a hundred published short stories and poems, as well as a growing number of novels. In addition to fiction, he also writes computer software. The key thing, he finds, is not to get the two mixed up. He has a first class honours degree in English Literature, is married, and has two daughters.

Local Charity Project Publishes Budding Authors in Illustrated Book

Each year in the small town of Gilesgate, an extraordinary event takes place. In 2019,  to raise money for a different local charity, an optometrist began to hold an annual competition.  Each year dozens, sometimes almost a hundred children take to the keyboard, pick up their pens and submit to the Gilesgate Story challenge.

In addition to raising money for a variety of local charities, the competition’s aim is to encourage children to read and write.

Like many other short story competitions, entries are all compiled into a book. Unlike others, though, every single entrant makes it in. The final book contains stories filled with childhood wonder, dozens of illustrations from a variety of talented artists, and pages stuffed to the brim with heart and whimsy.

Every penny of the proceeds made from the book, which had its launch party just this week, go to charity; this year’s proceeds go to the Durham Wildlife Trust.

The project is led by Simon Berry, an optometrist from the Gilesgate area. He was the one who began the competition, directs it, and takes charge of the marketing. Alongside Simon, we have Esther Robson, a proud grandmother who helps to keep the team organised. And finally, we have Miles Nelson, the typesetter and lead illustrator of this year’s book, which launched at the beginning of December.

Whilst Simon and Esther organise the competition and judge the entries, Miles works on piecing the book together, typing up each story, illustrating and formatting so that it can be released in time for Christmas.

Miles’ own book, Riftmaster, was released this year by Indie Publisher Elsewhen Press; a signed copy of his book, along with many others, will be appearing as one of the prizes.

One of the competition’s entrants, Dan, aged 11, had this to say about Riftmaster, in a review he wrote for school:

“The plot of Riftmaster is well thought, making every word interesting. The idea of two people being ripped through space to random planets makes for a great story. The idea of Riftmaster gives the author the opportunity to create new places and creatures, which really gives the book an alien feel.

All of the creatures and animals Bailey and Ari encounter are fascinating. Huge caterpillar-like creatures, animals that seem to be like mammals. Each and every thing even referenced in the book is described so well that it’s almost like they’re living on the pages.”

Dan’s story, the Dragon-Mouse, is about Ian, a mouse who thinks he is a dragon. It is one of many wonderful, whimsical and fantastical stories from very talented young writers.

Outside of mice, there are plenty of unique creatures featured in this year’s book. The winning entry of the competition was  about an ordinary slug who just wants to be useful. The runners-up included everything from snails to sinister deer to rainbow trout. It is truly a beautiful, hopeful and at times harrowing look at what the youth of today think of British wildlife.

Today, the competition is in its third year, and still going strong.

In order to keep the project going, Simon is currently looking for volunteers and donations to put together the next book.

He asks that if anyone is at all interested in helping out next year, that they contact him at

simon@simonberry.co.uk

pre-order the book through his website

here

or visit the Gilesgate Story Challenge’s social media and website listed below.

Facebook page    –   Website   –   Twitter

Out today in paperback – The Rising Flood by Juliet Kemp

Artwork: Tony Allcock
Artwork: Tony Allcock

The Rising Flood, book 3 of Juliet Kemp’s Marek series, is available in paperback from today from all good bookshops and Amazon.

Recent events have given conspiracy theories a bad name, says author

While conspiracy theories are ideal material for story tellers, author C.R. Berry is worried that they are no longer just harmless entertainment.

DARTFORD, KENT – 24 November 2021 – Elsewhen Press is a publishing house specialising in high quality, entertaining and thoughtful speculative fiction, often addressing current, real-world issues through a fictional prism. For author C.R. Berry, inventing new conspiracy theories and subsuming existing ones, has been an effective way to create thrilling, internally consistent stories that are entertaining but clearly far-fetched. In his Million Eyes trilogy, and related short stories, time travel is the underlying explanation for many inexplicable events throughout history. But now he is worried that using conspiracy theories as a fictional tool may become socially unacceptable.

“The past couple of years have given conspiracy theories a bad name,” says Berry. “With COVID deniers, anti-vaxxers and the Trump-fuelled Capitol riot, we’re seeing conspiracy theories that are dangerous and doing harm. Those that feature in the Million Eyes series, such as the claims that Princess Diana was assassinated and the Gunpowder Plot was an inside job, are just supposed to be harmless hypotheticals. But the current climate has made me wonder if I should be writing about them at all.

“When talking about my books, I already had to make clear that I’m not a tinfoil-hat wearer, but now I feel like I need to add that COVID is real and, yes, people should get vaccinated.

“Having said all that, I am very careful about which conspiracy theories I use. I wouldn’t incorporate any that are racist or would prolong a pandemic. And also, while the Million Eyes series does perpetuate the idea that there was a second shooter on the grassy knoll and that the Christian Church covered up the existence of a secret gospel, these events are explained with time travel, which is intentionally preposterous. That’s because, to me, conspiracy theories – some of them, anyway – make for great stories. Hopefully that’s what I’ve achieved with Million Eyes.”

The first book in the Million Eyes trilogy was launched in print just a few days before the first UK lockdown in 2020. The second book has recently been launched, at a time when many people are still suffering from the effects of the pandemic itself and the social and commercial impacts of attempting to deal with it. Berry is currently putting the finishing touches to the final book.

Nevertheless, he is now seriously reconsidering whether his books after Million Eyes will be so conspiracy-laden. “I do wonder if I should carry on incorporating such controversial material into my writing at a time when misinformation is so prevalent. Even though I’m just posing fun what-if scenarios, I’ve been contacted multiple times by conspiracy theorists who assume I believe everything I write about. I’ve had many an online argument with Flat Earthers and others who insist that the Royal Family are secret reptilians, and I can honestly say I wouldn’t want to meet any of those people on a dark night.”

Peter Buck, Editorial Director of Elsewhen Press said, “We signed Berry for the Million Eyes trilogy long before the pandemic, at a time when conspiracy theorists were still a laughable minority. Now, as he says, they are a real and present threat, not just to stability and democracy but to the continued existence of the human race. I hope that Million Eyes can help to redress the balance by further undermining the obvious credulity of the stupid and gullible, and return conspiracy theories to their rightful place as merely humorous entertainment.”

Million Eyes II: The Unraveller by C.R. Berry is now available in eBook format and paperback.

Notes for Editors

About Million Eyes II: the Unraveller

Time is the Ultimate Saviour

Following an impossible discovery in East London, archaeologist Dr Samantha Lester joins forces with software developer Adam Bryant to investigate the events that led to the disappearance of his best friend, Jennifer, and to bring down the people responsible – Million Eyes.

Before long, Lester and Adam are drawn into a tangled conspiratorial web involving dinosaurs, the Gunpowder Plot, Jesus, the Bermuda Triangle, and a mysterious history-hopping individual called the Unraveller, who is determined to wipe Million Eyes off the temporal map.

But as the secrets of Million Eyes’ past are revealed, picking a side in this fight might not be so easy.

ISBN: 9781911409687 (paperback, 408pp) / 9781911409786 (eBook)

Visit bit.ly/Million-Eyes-II

About C.R. Berry

C.R. Berry started out in police stations and courtrooms – as a lawyer, not a defendant – before taking up writing full-time. He’s currently head of content for a software developer and writes fiction about conspiracies and time travel.

Berry was published in Best of British Science Fiction 2020 from Newcon Press with a Million Eyes short story. He’s also been published in magazines and anthologies such as Storgy and Dark Tales, and in 2018 was shortlisted in the Grindstone Literary International Novel Competition.

In 2021, he bought his first house with his girlfriend, Katherine, in Clanfield, Hampshire, discovering whole new levels of stress renovating it (not helped by a rogue builder running off with most of their budget). The couple are now in the fun stage, going full-on nerd and theming all the rooms – their bedroom is a spaceship, their kitchen a 50s diner.

 

Print editions – size and price changes

As a result of the combined stupidity of Brexit and tragedy of Covid-19, alongside the concomitant shortages caused by the supply chain crisis, the escalating costs of paper, ink and shipping has meant that our printers are having to charge us significantly more than they were even 2 years ago. Like many indie publishers, we use printers with digital presses so that we don’t need to print and store thousands of copies of each title in advance – but that also means that each time we print a copy of a book for sale the production cost may well have increased.

When we launched Elsewhen Press, we chose to price our print editions at £9.99. That was generally considered to be a reasonable price for a trade paperback, and was recommended as having a psychological advantage because it is (just) below £10 – although I’ve never been convinced how true that is! For most of our books, that meant that we could earn a little income after covering the printing costs and paying the author their royalties. Over the last ten years we have been determined to keep to that price, to the point that for some titles we now lose money for every copy sold through retailers.

This is now getting to the point where it is unsustainable for us, so we have to address this problem, or stop producing print editions of our books. As you can see from the above, there are two ways to try to manage this problem: reduce the production cost and/or increase the cover price.

We have been looking at ways to reduce the production cost of our books. This has meant that we have started to use POD printers for our newest titles, and changed the trim size of our books from 215x135mm to 203x127mm (which is apparently the most popular size for paperbacks, anyway). Apart from slightly lower printing costs for some of our titles, this also means that the sales and distribution is now handled directly by the POD service rather than by us, and our titles can become available in retailers that previously eschewed our books. For example, if you look for our latest titles on Amazon you will see that the paperback edition is shown as ‘In Stock’ and available for delivery within a day or two directly from Amazon – what’s more Amazon can offer customers far better shipping terms than we ever could. We also now use the Ingrams POD service, which means that our new titles are now available through Barnes & Noble and other retailers in the US and elsewhere, as well as in UK bookshops through the wholesaler Gardners, so even if readers don’t want to buy from Amazon they can get our books through most good indie bookstores.

The result is that in many cases we have been able to keep the list price to £10, although for longer books we now have to price some of them at £11 or £12. Obviously, if the costs keep escalating as some commentators predict, we may have to increase the cover price of all of our books again. Meanwhile, we will gradually be moving our backlist titles over to the new POD services and trim sizes, which should make them all more readily available to potential readers.

Out today in paperback – Million Eyes II: The Unraveller

Today sees the launch of the print edition of Million Eyes II: The Unraveller by C.R. Berry, it is available from all good bookshops and Amazon.

Artwork: Alison Buck

Why do so many readers escape into fantasy worlds where politics is just as messy as in our world?

Reading to escape from the realities of life has become more widespread during the pandemic, yet many readers are turning to fantasy worlds where politics and unrest are just as real.

DARTFORD, KENT – 26 October 2021 – Elsewhen Press is a publishing house specialising in high quality, entertaining and thoughtful speculative fiction, often addressing current, real-world issues through a fictional prism. This includes fantasy books, which have long been seen as a way of escaping from the real-world. Authors too, get to escape into a world of their own imagination. Building a believable and engaging world is the hallmark of a talented author. One such author is Juliet Kemp, who has built a world and a series of books that have been gaining attention and much admiration from other award-winning authors such as Aliette de Bodard, Rivers Solomon and Malka Older.

The trite advice often given to new authors is ‘write what you know’. When it comes to a fantasy setting, is that really possible? Yes, according to author Juliet Kemp. The setting for Juliet’s Marek series is a port called Marek, part of a larger state called Teren, but virtually an autonomous city-state of its own. Politics, both civic and national, plays a large part in the life of the main protagonists – alongside magic and demons. While the supernatural elements are outside any author’s normal experience, Juliet can conjure the politics with some authority. “I have an academic background in politics, and have worked and volunteered in campaigning and activist organisations,” says Juliet. “I’m fascinated by the nuts and bolts of politics in its broadest sense: how people make things happen, how they negotiate and compromise or refuse to. How they interact with one another in groups that have shared goals, and what happens when those goals don’t align, or don’t align quite enough. How people are forced to make pragmatic decisions, when they refuse to, and what information they choose to listen to or ignore. Making things happen can be a messy process, and sometimes you have to work with people you’d rather not; I wanted to reflect that messy reality, and the fact that sometimes people make bad decisions, in Marek’s politics.” The latest Marek book, The Rising Flood, includes unrest both in the capital city of Teren where dissenters are being threatened with demons, and also in Marek itself where a frustrated underclass is seeking a voice. Juliet again, “In this book I also introduced those campaigning for change from a different angle; there’ll be more of that in the next book, which draws further on political history and the radical movements I’ve always been fascinated by.”

But why is Marek a port on the Oval Sea, with the river being such an important presence? Juliet admits it’s more of ‘what you know’, “I’ve lived in river cities all my life, and these days I spend my working day looking out at the Thames. No surprise that Marek’s river has become increasingly important over the series. Of course, lots of cities are built on rivers: they’re a water source, transport source. In Marek’s case, they define its history, founded as a port for Teren – and in choosing to make it the port for Teren, I could create more possibilities for political tension over control of that access to the wider world.”

In The Rising Flood, as the title intimates, there is not just the threat of political inundation, but also a very real risk of the river flooding. That too reflects Juliet’s daily life, “Where I live now is on the site of an old warehouse (we are, legally, still responsible for maintaining a bridge that no longer exists between one warehouse and the next), and when I look out of my window at high tide, the river is above the level of our front door. (I am regularly grateful for the river wall, and the Thames Barrier.) So no surprise that when writing this book, I started thinking about floods, and flood plains, and (looking further down my own river) what happens when people build on flood plains and just hope for the best.”

The Rising Flood is now available in eBook format on most platforms and will be out in paperback in December.

Notes for Editors

About The Rising Flood

Artwork: Tony Allcock
Artwork: Tony Allcock

Hope alone cannot withstand a rising flood

A darkness writhes in the heart of Teren.

The Academy is unleashing demons on dissenters, and refugees rush to leave the capital with nothing but their lives and a hope.

That hope brings them to the city of Marek, Teren’s only major port, which harbours dreams of independence. But Marek is not as stable as it seems.

Marcia, Heir to House Fereno, has spent the last two years fighting to keep Marek safe and prosperous – but with child, her relationship in ruins and the increasing threat of Teren to worry about, can she find her way through? The printing houses of the city run rabble-rousing polemic, penned by an increasingly frustrated majority who feel left out of the rule and riches of Marek. They demand change, and Marcia can’t help but agree with much of what they’re saying.

On the other side of the bridge, the tiny group of Marek’s remaining sorcerers must negotiate their way through troubles of their own. Cato, Marcia’s exiled brother, and Reb, her ex-lover, are trying to train a new generation of sorcerers and both are having problems. Jonas simply won’t take ‘no’ for an answer from Cato; and Reb’s two students feel held back, both know that change, and strife, may be coming – and neither are ready to deal with it. But Reb cannot bring herself to move faster.

Between them, the five sorcerers alongside Marek’s cityangel can expel a single demon. But Teren has many, and other fears loom on the horizon. Out-of-season storms rampage across the Oval Sea, threatening trade – and Jonas’ family, out plying the trade winds – and the unseasonable weather threatens Marek itself.

Menaced by the distant capital, by dissension from within, and even by nature itself – will the rising flood lift all boats?

Or will they be capsized?

ISBN: 9781911409885 (paperback, 392pp) / 9781911409984 (eBook)

Visit bit.ly/TheRisingFlood

About Juliet Kemp

Juliet Kemp lives by the river in London, with their partners, child, dog, and too many fountain pens. They have had stories published in several anthologies and online magazines. Their employment history variously includes working as a cycle instructor, sysadmin, life model, researcher, permaculture designer, and journalist. When not writing or parenting, Juliet goes climbing, knits, reads way too much, and drinks a lot of tea.

 

The Rising Flood, Book 3 of the Marek series is out today in eBook

Out today, on all good eBook platforms, book 3 of Juliet Kemp’s gripping Marek series, The Rising Flood, takes us to Marek just as unseasonal storms are sweeping across the Oval Sea. Once again the book is graced with a beautiful cover from artist Tony Allcock.

Malka Older, Author of the Centenal Cycle series, Hugo Award finalist, said “Fantasy politics with real nuance and believable uncertainty, characters whose richness and depth has developed over three books, and a growing threat that starts pulling together threads across the series make The Rising Flood a fantastic read, while Marek is a textured place that is a joy to return to.

Artwork: Tony Allcock
Artwork: Tony Allcock

A darkness writhes in the heart of Teren.

The Academy is unleashing demons on dissenters, and refugees rush to leave the capital with nothing but their lives and a hope.

That hope brings them to the city of Marek, Teren’s only major port, which harbours dreams of independence. But Marek is not as stable as it seems.

Marcia, Heir to House Fereno, has spent the last two years fighting to keep Marek safe and prosperous – but with child, her relationship in ruins and the increasing threat of Teren to worry about, can she find her way through? The printing houses of the city run rabble-rousing polemic, penned by an increasingly frustrated majority who feel left out of the rule and riches of Marek. They demand change, and Marcia can’t help but agree with much of what they’re saying.

On the other side of the bridge, the tiny group of Marek’s remaining sorcerers must negotiate their way through troubles of their own. Cato, Marcia’s exiled brother, and Reb, her ex-lover, are trying to train a new generation of sorcerers and both are having problems. Jonas simply won’t take ‘no’ for an answer from Cato; and Reb’s two students feel held back, both know that change, and strife, may be coming – and neither are ready to deal with it. But Reb cannot bring herself to move faster.

Between them, the five sorcerers alongside Marek’s cityangel can expel a single demon. But Teren has many, and other fears loom on the horizon. Out-of-season storms rampage across the Oval Sea, threatening trade – and Jonas’ family, out plying the trade winds – and the unseasonable weather threatens Marek itself.

Menaced by the distant capital, by dissension from within, and even by nature itself – will the rising flood lift all boats?

Or will they be capsized?

You can get The Rising Flood on your favourite eBook platform via Books2Read.