Author C.R. Berry’s first book in the Million Eyes trilogy tells the story of the two investigators who uncovered the powerful people behind a shocking conspiracy, against the Royal family, that has shaped the last 1000 years.
DARTFORD, KENT – 09 March 2020 – Elsewhen Press, an independent UK publisher specialising in Speculative Fiction, is delighted to announce the publication of the print edition of Million Eyes, the first book in a new trilogy from author and conspiracy investigator, C.R. Berry, tackling power, corruption and destiny.
What if we’re living in an alternate timeline? What if the car crash that killed Princess Diana, the disappearance of the Princes in the Tower, and the shooting of King William II weren’t supposed to happen?
Ex-history teacher, Gregory Ferro, found evidence that a cabal of time travellers is responsible for several key events in our history. These events all seem to hinge on a dry textbook published in 1995, referenced in a history book written in 1977 and mentioned in a letter to Edward III in 1348. Ferro teamed up with down-on-her-luck graduate, Jennifer Larson, to get to the truth and discover the relevance of a book that seemed to defy the arrow of time. But the time travellers were watching closely. Soon, Ferro and Larson were targeted by assassins willing to rewrite history to bury them.
Million Eyes was initially published in a digital edition in January, to widespread acclaim despite a social media campaign waged against author C.R. Berry by those behind the conspiracy. Thankfully, the attention apparently made it more difficult for them to carry out the threats they had made against Berry. Million Eyes is available from today in a print edition, to encourage more readers to discover the truth that is undoubtedly out there.
Notes for Editors
About C.R. Berry
C.R. Berry caught the writing bug at the tender age of four, and has never recovered. He realised pretty quickly that his favourite characters were usually the villains. He wonders if that’s what led him to become a criminal lawyer. After a few years spent getting a more rounded view of human nature’s darker side, he quit lawyering and turned to writing full-time. He now works as a freelance copywriter and novelist and blogs about conspiracy theories, time travel and otherworldly weirdness. He grew up in Farnborough, Hampshire, a town he says has as much character as a broccoli. He’s since moved to the “much more interesting and charming” Haslemere, in Surrey.
On Risingshadow.net, Seregil of Rhiminee has reviewed Good Intentions by Ira Nayman. This is the first novel in The Multiverse Refugees Trilogy, but also the sixth novel of the Transdimensional Authority series. Seregil starts by saying that he’s “amazed at how fresh and original, not to mention amusing, this novel is” and that, despite being the sixth Multiverse novel, Ira “manages to come up with new novels that are just as good and entertaining as the previous ones”.
Seregil’s review is well worth reading in its entirety, so I will only pick out a couple more quotes from it, and encourage you to read the full review yourself. He describes the book as an “excellent humorous science fiction novel that is filled with quirkiness, inventiveness and hilarious wittiness”, “one of the most amusing and most satirical science fiction novels I’ve ever had the pleasure of reading”, “sharp yet entertaining satire and parody about humans, humanity and the state of the world”. I think that gives a reasonable picture of how much Seregil liked the book. He concludes by saying it is “one of the best novels available for readers who love humorous speculative fiction.”
On her blog, Jill-Elizabeth has written a review of Million Eyes: Extra Time by C.R. Berry. The book is a freely downloadable collection of twelve time-twisting short stories that manage to demonstrate how almost every conspiracy theory you’ve ever heard of has been perpetrated by a specific group of time travellers. Of course, this is an introduction to the world of Million Eyes, to whet readers’ appetites in advance of the publication of the first in the Million Eyes series in January. Jill-Elizabeth writes that it is the most excellent world-introduction she’s seen in a long time.
When reading, as she was growing up, Steve Harrison’s daughter complained about the lack of good adventure stories for girls. Having an author for a dad meant that a remedy was only a matter of time.
DARTFORD, KENT – 31 July 2019 – Elsewhen Press, an independent UK publisher specialising in Speculative Fiction, is delighted to announce the publication of Blurred Vision by Australian speculative fiction author, Steve Harrison.
The heroine of Steve’s latest book is Polly Hart, a schoolgirl who enjoys a normal life, in a normal school, with her friends somewhere in southern England. Her dad is a mathematician and her mum is an astrophysicist with the North Atlantic Space Research Centre and both are working long hours investigating a series of mysterious attacks on satellites which are baffling the space agencies. Polly decides to pursue her own research into the incidents and hacks the maintenance camera feed from the satellite that her model predicts will be the next target. What she sees is a shock: a blurry alien spacecraft vandalising the satellite. Even more of a shock is an alien from that spacecraft tapping on her bedroom window that evening. After that, her life will never be normal again…
Steve Harrison was inspired to tell the story of Polly Hart and her friends after his daughter complained that “boys always seem to have the best adventures”. He says that his intention was to write “a modern, sci-fi take on the no-nonsense Famous Five and Secret Seven adventure novels I enjoyed as a child. It was a lot of fun to write.”
Peter Buck, Editorial Director at Elsewhen Press says, “Steve is a consummate story-teller, spinning adventures that grab you from the outset and propel you through thrilling action towards an unknown conclusion. Blurred Vision is a very entertaining story, with the sort of adventure that we all grew up devouring, but with modern protagonists in a very 21st century setting. What young sci-fi fan doesn’t dream of being the one to make first contact? Although the heroine is a teenager, this is very definitely a story that will be enjoyed by sci-fi fans of all ages, regardless of gender.”
For many years the science fiction fan community has been very diverse, but it is only recently that many authors have started to realise that not all of their readers are male. Every reader, especially a younger reader, should be able to recognise themselves in the heroes and heroines of the stories they read. Elsewhen Press is proud to have published science fiction and fantasy stories from a wide range of authors with an equally diverse range of protagonists.
Blurred Vision will be available to buy on all popular eBook platforms from 16th August 2019 and is already available to pre-order. The paperback edition will be available on 18th November 2019.
Notes for Editors
About Steve Harrison
Steve Harrison was born in Yorkshire, England, grew up in Lancashire, migrated to New Zealand and eventually settled in Sydney, Australia, where he lives with his wife.
As he juggled careers in shipping, insurance, online gardening and the postal service, Steve wrote short stories, sports articles and a long running newspaper humour column called HARRISCOPE: a mix of ancient wisdom and modern nonsense.
His first novel TimeStorm, published by Elsewhen Press, was Highly Commended in the Fellowship of Australian Writers (FAW) National Literary Awards, Jim Hamilton Award in the fantasy/science fiction category, for an unpublished novel of sustained quality and distinction by an Australian author.
About the book
Title: Blurred Vision
“Take it easy,” said Kylie, still with a hint of amusement. “You’re perfectly safe. Think of me as a tourist.”
Polly squinted back at her. She couldn’t help herself. “Are you invading earth?”
“Are you kidding? Do you know how much that would cost?”
“Then what are you doing here?”
“We found you after you activated the camera on the satellite and were impressed by the other stuff you did to hide your tracks. Easy for us, but we all thought it was very cool. For an Earth human, anyway.”
“You don’t talk like an alien.”
“How many do you know?” asked Kylie.
Polly couldn’t argue with that. “Good point.”
When Polly Hart agrees to swap places with a girl from another planet, she has no idea that this makes her a fugitive in the fabulous universe revealed by her new friend, and now she must outwit the school bully, a weird teacher and an interstellar hit squad to survive. So annoying!
Young Adult Fiction / Science Fiction / Alien Contact;
Young Adult Fiction / Science Fiction / Humorous
Print edition: ISBN 978-1-911409-46-5, 240pp, Demy; RRP £10 / €12 / US$18 (18 Nov 2019)
Electronic edition: ISBN 978-1-911409-56-4, EPUB / Kindle; RRP £2.99 / €3.49 / US$3.99 (16 Aug 2019)
About the cover
The cover artwork of Polly and Kylie taking a selfie in space above Earth, uses an iconic photograph of the Earth courtesy of the NASA Earth Observatory, and a photograph of Polly & Kylie by Dean Drobot / shutterstock.com.
On Risingshadow.net, Seregil of Rhiminee has just reviewed Geoffrey Carr’s debut novel, the technothriller Genesis, describing it as “an enjoyable combination of science fiction, technology and thriller”. Seregil “enjoyed Genesis a lot” especially as it “starts slowly and then, bit by bit, gathers momentum and ends in a satisfying climax”. He says it is a well written story, where fragments and threads are at first presented that seem unconnected but “soon everything begins to make sense and the reader notices what connects everything together”. Seregil says he likes this kind of storytelling because “it requires concentration on the reader’s part and makes the reader want to find out what is happening”.
Seregil mentions that Genesis is also an interesting read for anyone with a view on AI, whether they are keen to see progress or worry about it, because “it offers readers a cautionary tale of what may happen when a powerful AI becomes alive and self-aware, and decides that it doesn’t need its makers anymore”. Geoffrey Carr, he says, writes vividly about what happens when computer systems misbehave and enjoyably about the business and political issues involved. Seregil suggests that Carr’s experiences as Science and Technology Editor of The Economist and his wide-ranging interests and knowledge is one of the main reasons why this novel is “good and intriguing”, and has “many captivating elements and a few thought-provoking moments”. Geoffrey’s writing style is easy and fast to read, gradually revealing important details with revelations that “keeps the story moving forward in a fluent way”, with welcome touches of humour.
Seregil concludes by recommending Genesis as a well-written techno-thriller that tells an intriguing, exciting and suspenseful story.
You can read Seregil’s full review on Risingshadow.nethere.
On SFcrowsnest, David A Hardy has just reviewed Genesis by Geoffrey Carr, which he bought at Eastercon at our Genesis launch event. He starts by saying that he enjoyed the book “greatly”.
Dave describes the story as “a rollercoaster ride: it starts slowly, but builds to a fast-moving and gripping climax”. He outlines the underlying plot and the main protagonists, adding that the “manner in which all this comes together as it builds toward the climactic end of this book is masterly”.
Naturally I’ve just picked out a couple of juicy morsels from Dave’s review! But you can (and should) read his full review on SFcrowsnest here.
Two groups of people dependent on AI for their survival, one group knowingly and the other unknowingly, struggle to stay alive while that very AI is seeking artificial life for itself.
DARTFORD, KENT – 05 April 2019 – Elsewhen Press, an independent UK publisher specialising in Speculative Fiction, is delighted to announce the forthcoming publication of Programmed to Breathe by Canadian speculative fiction author Tanya Reimer. Set over 1000 years in the future, two very different groups of apocalypse survivors have been living apart and unknown to each other until they are forced to meet.
In this post-apocalyptic world, one group of survivors have been managing to eke out a living in a village that they believe is maintained for them by a supernatural being they call Dragon. The villagers eschew technology of any kind, believing it to have been the cause of the conflict that devastated the world centuries before. Unknown to them, the heat and water that keeps the village alive are actually the by-products of an underground city, where a different group of survivors are being sustained by an artificial intelligence program known as Nogard. In the city, genetic engineering and cybernetics are promoting the rapid evolution of residents who have never seen daylight. Nogard has been evolving too and is intent on making the jump from artificial intelligence to artificial life. But a series of devastating earthquakes damages the city and kills many of its inhabitants, forcing a group of youngsters to try to escape to the surface, in the hope that it is habitable. Meanwhile, above ground, the villagers believe the earthquakes to be an indication that they have upset Dragon, and two of them set off through tunnels at the back of a cavern sacred to Dragon to try to placate it. Tanya’s story tells us of these two very different cultures that are on an inevitable collision course, how they navigate the dangers that beset them on their respective journeys, and what happens when they finally meet. Meanwhile the true nature of Dragon is revealed, as is the extent of Nogard’s ambition to become mortal.
Peter Buck, Editorial Director at Elsewhen Press, says, “It is interesting to compare Tanya’s vision of a future in the next millennium with that of H.G. Wells’ far distant future in his classic story, The Time Machine. But although both the village and the underground city are inhabited by separate groups of humans, they have not evolved according to class divisions as Wells foresaw from his Victorian perspective. Rather the diversity is based on the availability and attitude towards science and technology, perhaps a much more telling reflection of our own times.”
Programmed to Breathe will be available to buy on all popular eBook platforms from 26th April 2019 and is already available to pre-order. The paperback edition will be available on 1st July 2019.
Notes for Editors
About Tanya Reimer
Born and raised in Saskatchewan, Tanya enjoys using the tranquil prairies as a setting to her not-so-peaceful speculative fiction. She is married with two children which means that among her accomplishments are the necessary magical abilities to find a lost tooth in a park of sand and whisper away monsters from under the bed.
As director of a non-profit Francophone community center, Tanya offers programming and services in French for all ages to ensure the lasting imprint and growth of the Francophone community in which she was raised. What she enjoys the most about her job is teaching social media safety for teens and offering one-on-one technology classes for seniors.
Tanya was fifteen when she wrote her first column. She has a diploma in Journalism/Short Story Writing. Today, she actively submits to various newspapers, writes and publishes the local Francophone newsletter for her community, and maintains a blog at Life’s Like That.
Programmed to Breathe is her fifth title published by Elsewhen Press.
Seregil describes it as “an entertaining and fast-paced space opera novel that is easy to like” that he enjoyed because it approaches space opera elements “from a slightly different angle”. Peter focusses on writing about Jack Rakai, his wife Pam and their family, and how they deal with the problems and situations that unfold. As a result he “brings a fair amount of warmth to the story… something that is not often found in modern space opera novels”. Peter’s writing has a “realistic feel” to it, by paying attention to the family, how they cope with events, their alien pets, and their relationships.
Because the story is centred around Jack and Pam’s family, Seregil notes that it obviously has parallels with the classic TV series Lost in Space although there is otherwise nothing in common plot-wise. But that may also mean that it would appeal to readers who don’t normally read space opera, or who like reading about families.
Seregil says that the story is “satisfyingly exciting and intriguing” with “well-placed surprises”. The events that unfold were “fascinating” because the “dangerously escalating situation was handled well by the author”. Seregil notes that there is a good balance between excitement and entertainment, and the sparing use of humour spices up the story in a nice way.
Seregil’s conclusion is that Franchise is good, entertaining science fiction – relaxing escapism, despite the fast-paced story.