On his website, Gestalt Real-Time Reviews, Des Lewis has recently been reading the stories in Rhys Hughes’ collection Mirrors in the Deluge and writing a review of each as a ‘thought-stream’ over the last month. It has been fascinating to watch the reviews of these stories pop up on the page on a more-or-less daily basis, in an approach that lends itself well to a book, such as Mirrors in the Deluge, full of 32 such diverse stories. It’s not really feasible to do justice to the extent of Des’ often detailed, and always incisive, review in such a brief summary here, so I hope Des won’t mind me picking out a handful of highlights and then recommending that you go over to his website and read it all for yourself. One general comment that I’d like to pick out first, though, is that Des believes that for many of the stories in the book, “if they had been published separately in high profile anthologies each would have made a name for itself as a literary classic, but they seem lost here gathered together, shame to say.” It is indeed a shame, but hopefully Des’ review will help encourage more people to embrace Rhys (or at least his stories!)
On The Soft Landing
“The autobiography of a deep space photon…
This is so eye-opening, I feel it would not have been out of place as a work in ‘The Big Book of Science Fiction’ that I read recently. Seriously.”
On Najort Esroh
“Only in Rhys Hughes do things happen that make you think more laterally than any other author whom I read makes you think. And I read a lot!”
On The Mouth of Hell
“It creased me up. Seriously.”
On Arms Against a Sea
“This is probably the nearest you will get to reading literature written by an extraterrestrial.”
On The Apple of My Sky
“This light piece with distractive silly names for characters did actually cause me to laugh out loud on more than one occasion (e.g. The Big Apple joke) and that is no mean feat.”
On The Taste of Turtle Tears
“This is a Rhysian classic. If not THE Rhysian classic.”
On The Bones of Jones
“A major Rhysian work that I would love to read aloud, to see if it it is utter rubbish (a stream of word association?) or pure genius. Amazingly, it could be both. It’s certainly set my mind buzzing, as you can tell.” Rhys maintains this is the best story in the book, with which Des does not disagree.
Science Fact joins Science Fiction in Don’t Look Back, the definitive collection from pre-eminent writer and broadcaster, John Gribbin
DARTFORD, KENT – 10 March 2017 – Elsewhen Press, an independent UK publisher specialising in Speculative Fiction, is delighted to announce the forthcoming publication of Don’t Look Back, the definitive collection of science fiction short stories by science writer and broadcaster, John Gribbin.
John Gribbin, widely regarded as one of the best science writers of the 20th century, has also, unsurprisingly, been writing science fiction for many years. While his novels are well-known, his short stories are perhaps less so. He has also written under pseudonyms. Here, for the first time, is the definitive collection of John’s short stories. Many were originally published in Analog and other magazines. Some were the seeds of subsequent novels. As well as 23 Science Fiction short stories, three of which John wrote with his son Ben, this collection includes two Science Fact essays on subjects beloved of science fiction authors and readers. In one essay, John provides scientifically accurate DIY instructions for creating a time machine; and in the other, he argues that the Moon is, in fact, a Babel Fish!
The stories, many written at a time when issues such as climate change were taken less seriously, now seem very relevant again in an age of dubious politicians. What underpins all of them, of course, is a grounding in solid science. But they are also laced with a dry and subtle wit, which will not come as a surprise to anyone who has ever met John at a science fiction convention or elsewhere. He is, however, not averse to a good pun, as evidenced by a song he co-wrote for the Bonzo Dog Doo Dah Band: The Holey Cheeses of Nazareth.
Peter Buck, editorial director of Elsewhen Press said “we were honoured when John approached us with the idea of putting together a collection of his short stories. For anyone familiar with John’s scientific writing, they will be a fascinating insight into his interests, while existing fans of his novels will find superb stories here, including some which ultimately led to his best known novels. Anyone unfamiliar with John’s writing is in for a real treat. Despite the exhortation of this collection’s title, this IS a perfect opportunity to look back at John’s short stories. If you’ve never read any of his fiction before, now you have the chance to acquaint yourself with a body of work that, while being very much of its time, is certainly not in any way out of date.”
Elsewhen Press are also very proud that legendary space artist David A. Hardy agreed to produce the cover art for the book, much to John’s delight.
Don’t Look Back will be published in digital formats in May 2017 and in paperback in August 2017.
Notes for Editors
About John Gribbin
John Gribbin was born in 1946 in Maidstone, Kent. He studied physics at the University of Sussex and went on to complete an MSc in astronomy at the same University before moving to the Institute of Astronomy in Cambridge, to work for his PhD.
After working for the journal Nature and New Scientist, and three years with the Science Policy Research Unit at Sussex University, he has concentrated chiefly on writing books. These include In Search of Schrödinger’s Cat, In Search of the Big Bang, and In Search of the Multiverse.
He has also written and presented several series of critically acclaimed radio programmes on scientific topics for the BBC (including QUANTUM, for Radio Four), and has acted as consultant on several TV documentaries, as well as contributing to TV programmes for the Open University and the Discovery channel.
But he really wanted to be a successful science fiction writer, and has achieved that with books such as Timeswitch and The Alice Encounter, and stories in publications such as Interzone and Analog. But as John Lennon’s Aunt Mimi so nearly said “Sf is all very well, John, but it won’t pay the rent”. Another thing that doesn’t pay the rent is his songwriting, mostly for various spinoffs of the Bonzo Dog Band.
John is a Fellow of the Royal Society of Literature, and a Fellow of the Royal Society of Arts, as well as being a Fellow of the Royal Astronomical and Royal Meteorological Societies.
About David A. Hardy
David A. Hardy, FBIS, FIAAA was born in Bournville in the UK. In 1950, at the age of 14, he had already started painting space art. He has illustrated many books, including more than one with astronomer-author Patrick Moore, and has been the recipient of multiple awards. His artwork has also graced the covers of classic SF magazines and books. In 2003, asteroid 1998 SB32 was christened Davidhardy. Find out more about Dave’s work at http://www.astroart.org
This weekend people all over the Multiverse are enjoying various religious festival celebrations†, many of which involve chocolate and/or small furry animals with long ears. In a bid to capitalise on these celebrations Arrundel, the leader of the digital gods, has decreed that a fable be made available from the vaults of Digitaleusia to mortals everywhere. Not wishing to incur the wrath of the All-programmer, Elsewhen Press is delighted to offer a free download of this fable, which is coincidentally also a short story starring none other than ePik Flayel, the Trickster god. If you’ve read You Can’t Kill the Multiverse* by Ira Nayman you will already have met Flayel. If you haven’t read You Can’t Kill the Multiverse* you are in luck because from today it is also available in paperback and can be obtained via good bookshops (and some that aren’t quite so good).
Whether or not you have read You Can’t Kill the Multiverse* yet, you can download He Who Dies With the Most Friends Isn’t Immortal for free in your favourite digital format. As many of you as possible can download it and our server will be perfectly fine – not that that’s a challenge, of course! Click here for more details and download links.
Happy Schmeckler’s Farrago!
*But You Can Mess With its Head
† Including, but (as our legal department have suggested we say) not limited to: Easter, Passover, Schmeckler’s Farrago, satyr’s delight, The Ultimate Feast of the Great Flying Spaghetti Monster and others.
I got the letter this morning from one of the big five. This is the ms they accepted.
To Kill a Mockingbird
Machine wash at 40 degrees on a fast spin. Wash separately. Iron.
It’s going to be published as a children’s book next year. They want me to pad it out a bit but essentially they are raving about the idea. This they love – my two fingered salute to them I sent out believing I was about to be turned off for being a crashing failure. My stories of The Amazing Arctic Sinking Man, OAP Extraction, Finn with a fish swimming in his eye, locusts and rusting submarines, paper bullion – all rejected for this. Continue reading “An Android Wakes Part 8 : To Kill a Mockingbird”
Our final postcard from the future comes from Professor Saul Deveraux himself, inventor of the Retro-Temporal acceleration technology being deployed at Geneva’s ‘Even Larger Hadron Collider’ to send messages back in time…
I hope you’ve enjoyed the previous nine messages over the last nine months. The same time as the gestation of a human child, perhaps not coincidentally. You see, the Retro-Temporal Postcard Program is very much my baby, my lifetime’s work, albeit so well assisted by thousands of other dedicated scientists, the world over. I thank them all.
Will you people of the early twenty-first century believe that these messages are real? –That we in the 23rd century, really have mastered such incredible technology as to be able to send information back in time to you? As I write, there is no evidence in any of our libraries or history annals that these attempts were successful. But I confidently expect to go to the same data sources tomorrow and find that history has updated itself. Of course it will. But will I know? This paper I write on would have to disappear into thin air, in order for me not to know, and that seems unlikely. So history is going to change and we’re going to see it change, almost instantly before our eyes. How extraordinary. That has never happened before in the history of our planet. Or has it? You see the irony? Continue reading “Postcard From The Future #10”
Mr Cricklewood ran his fingers over the paper. Raising the letter to his nose he breathed in and let the smell transport him to bluebells, birdsong, young love.
Sighing he replaced the letter in the envelope, slipped it back with the others. Around him: panelled walls, a stained glass window showing a picture of a mockingbird, oak spindles of a staircase that once led him to her embrace. It was time, he thought.
He walked over to the writing desk.
His old fingers creaked and clicked as he sealed each letter with wax, the smell filling his nostrils. When each was dry he lifted it to his lips, kissed it, said goodbye. Continue reading “An Android Wakes Part 7 : OAP Extraction”
This month’s postcard from the future comes from an information technology technician…
Everybody in the past thought we’d be building robots here in the future, didn’t they? Well, you got that kind of half right and half wrong I guess, all at once. Let me explain. There’s tons of robots alright, except that none of them look human. Dust-vacuuming robots for the home, grass-mowing and weeding robots for the garden, garbage robots for the street sweep-up. These guys are all just a foot and a half high by two feet long at most. They don’t have silly faces on them and they don’t talk back. Mostly they don’t talk at all, just get on with it. Continue reading “Postcard From The Future #9”
He was watching Master Chef when it appeared over his retina. At first his brain miscalculated and inserted the angel fish into the programme, where it swam through the steaming crust of the Mockingbird pie. Then after a moment the fish popped out of the screen and passed through the wall into the hallway.
Finn blinked and rubbed his eyes, looked at his watch. It was late. He really should get to bed earlier. He turned off the TV and sighing got to his feet. As he did the image of the fish appeared again: flickering with the beat of his eyelids.
He tried closing his eyes but the fish was still there floating in a sea of blackness. It turned, swam towards him and disappeared. Finn slapped his hand over his eyes, stumbled and knocked over the cans of beer at his feet. Continue reading “An Android Wakes Part 6 : Is That a Fish in Your Eye?”
This month’s postcard from the future comes from a 23rd century policeman…
A message to the past, eh? Tell you what, I’ve always loved reading detective novels and I’m kind of envious of you guys back then with real crime and real criminals. All we get to do these days is fill out forms and liase with sociologists and behavioural psychologists. In fact, I had to get a degree to get this job. Surprised eh? Yeah, in theory I could still “beat the crap out of a punk” (God, I love that old 20th century noir cop patois), but I rarely get the chance these days. My history tutor used to tell me that all those old crime novels were “romanticised” and “escapist” but that strikes me as weird. What kind of screwed-up century were you living in where murder, robbery and rape seemed like escapism? Oh I know…. I’ve answered my own question. I enjoy reading that stuff now because I’m bored and there’s so little crime today, but come on guys, you had plenty of the real things, wars, famine, terrorism, plagues, riots… why did you have to make up shit too? Continue reading “Postcard From The Future #8”