International Women’s Day 2018

Despite much prejudice over the years, it is undeniable that female authors have been a strong and significant force in Science Fiction and Fantasy since the earliest days. One only has to think of Margaret Cavendish, Mary Shelley, Jane Webb Loudon, Ursula K. Le Guin, Anne McCaffrey, C.J. Cherryh, Julian May, Marion Bradley, Doris Lessing, Margaret Atwood, J.K. Rowling. Even so, it is generally harder for female authors to be published, and many readers still say they are less likely to pick up a book if the author is obviously female.

Elsewhen Press, which was established in 2011, applies no constraints of age, race, gender or sexual orientation, on the authors whose work we consider or publish – our only criterion is quality. We now have a roll-call of female, male and non-binary authors, from various continents, writing in many different sub-genres of speculative fiction. To mark International Women’s Day 2018, we would like to highlight some of the female authors that have enabled Elsewhen Press to live up to its mission of delivering outstanding new talents in speculative fiction. They are all great writers and awesome people; we are honoured to have them as our authors and friends.


Zoë Sumra

Zoë Sumra

Zoë was born in London, but spent her later childhood living in Lancashire, where she started writing novels at the age of twelve due to extreme boredom. After completing the obligatory epic fantasy trilogy in her teens, she spent four years at the University of St Andrews, where she learnt to fence both foil and sabre and cemented her passion for space opera. She now lives in London with her husband, their daughter and a collection of swords. Zoë writes when she’s not fencing, looking after her daughters, or working as a print controller for an advertising company.

The Underside series
(Sailor to a Siren; The Wages of Sin)

The Underside series, space opera with a significant nod to gangland thrillers, introduced us to Zoë Sumra’s universe and established her as a name to watch in epic space opera. The depth of her characters, the breadth of her world-building, the ambition and longevity of her story-arcs spanning multiple generations of families, all made this a first series in what is going to be a fascinating and enthralling universe.


Tanya Reimer

Tanya Reimer

Born and raised in Saskatchewan, Tanya enjoys using the tranquil prairies as a setting to her not-so-peaceful speculative fiction.

She is married with two children which means among her accomplishments are the necessary magical abilities to find a lost tooth in a park of sand and whisper away monsters from under the bed.

As director of a non-profit Francophone community center, Tanya offers programming and services in French for all ages to ensure the lasting imprint and growth of the Francophone community in which she was raised. What she enjoys the most about her job is teaching social media safety for teens and offering one-on-one technology classes for seniors.

Tanya was fifteen when she wrote her first column. She has a diploma in Journalism/Short Story Writing. Today, she actively submits to various newspapers, writes and publishes the local Francophone newsletter for her community, and maintains a blog at Life’s Like That.

Sacred Land Stories
(Legends on the Prairies; Ghosts on the Prairies; Cursed on the Prairies)

The Sacred Land Stories trilogy follows a trans-generational timeline that starts in Legends on the Prairies, continues in Ghosts on the Prairies and culminates in Cursed on the Prairies. Alternate history suspense incorporating the paranormal and magical realism, and infused with romance, these are stories that concern the Sacred Lands of the Ghost tribes in the prairies of Saskatchewan, stretching from 1882 to 1936. But they also touch on the interwoven loves, hopes, dreams and tragedies of lives lived on those prairies by both the tribes and the settlers.


Sanem Ozdural

Sanem Ozdural

Sanem Ozdural was born in Ankara, Turkey in the 70s, and spent her childhood from age seven onwards in England. Happy days at a quintessentially British boarding school in Surrey helped forge her character and tastes, not to mention lasting friendships. Making her way to the U.S. she studied economics at Princeton University. After graduating from Boston University School of Law, she moved to New Orleans where she practiced as a prosecutor and civil litigator, and spent seven wonderful years living in the French Quarter.

In 2004 she migrated from New Orleans via Washington, D.C., reaching New York City in 2006, where she lived and practiced law until 2013. After teaching business law at Koç University in Istanbul for a few semesters, she is now back in New Orleans once again working as a lawyer. Sanem was an avid bridge player until the tenth round of revisions to her debut novel. She is now thoroughly enjoying an indefinite bridge sabbatical, and imagining all sorts of stories that feature absolutely no bridge or chess.

LiGa series
(LiGa™; the Dark shall do what Light cannot)

The LiGa series is a thought-provoking series of books in an essentially contemporary setting, with elements of both science fiction and fantasy. The LiGa of the series title is a contraction of Life Game, a game in which contestants are gambling with their lives to win what is essentially indefinite life expectancy. In the first book we meet the players of a LiGa™ Bridge tournament who are competing against each other to join the ranks of the ‘Immortal’ members of LiGa. In the second book, we find out more about the secretive organisation behind the game as we travel with some of them to a fantastic place beyond the Light Veil.


Rebecca Hall

Rebecca Hall

Rebecca started writing when she was supposed to be studying for her exams at Otago University but somehow passed anyway, eventually graduating with a decorative piece of paper. She moved to the UK to pursue a career in publishing and after a couple of mishaps ended up in Edinburgh and sold Instrument of Peace to Elsewhen Press, which is not quite the career she had in mind. The career she did have in mind was along more editorial lines which is why she is now a volunteer at Inspired Quill and a freelance copy-editor for everyone else. She also has a blog which she infrequently remembers to update, where those mysterious things known as short stories can be found.

Even after three years in the UK, she is baffled by the fact that the British use miles, pints and 1p coins but things like pineapple lumps, black forest chocolate and L&P have not caught on. Rebecca would like to make it very clear that she is a Kiwi and absolutely NOT an Australian (or South African) and she will do almost anything for chocolate.

Symphony of the Cursed trilogy
(Instrument of Peace; Instrument of War; Instrument of Chaos)

The Symphony of the Cursed trilogy, is a YA fantasy that begins with Instrument of Peace, which Rebecca describes as a magic school setting combined with the reality of the mundane world and horror of the Dresden Files, without any characters named Harry. Her trilogy sees the main protagonist, Mitch, move from high school to university while he strives to break The Twisted Curse that threatens those around him.

The location for the story may be surprising to some readers, especially those in the Northern hemisphere. The Academy, where Mitch is being educated in magic, is in a semi-mythical land populated by magical beings and legendary creatures, not to mention awe-inspiring natural features such as volcanoes, that has in recent years been discovered to be the location for Middle Earth. We know it, of course, as New Zealand.


Katrina Mountfort

Katrina Mountfort

Katrina was born in Leeds. After a degree in Biochemistry and a PhD in Food Science, she started work as a scientist. Since then, she’s had a varied career. Her philosophy of life is that we only regret the things we don’t try, and she’s been a homeopath, performed forensic science research and currently works as a freelance medical writer. She now lives in Saffron Walden with her husband and two dogs. When she hit forty, she decided it was time to fulfil her childhood dream of writing a novel. Future Perfect was her debut novel and the first book in the Blueprint trilogy. Forbidden Alliance and Freedom’s Prisoners completed the trilogy. Her latest novel is The Ghost in You.

Blueprint trilogy
(Future Perfect; Forbidden Alliance; Freedom’s Prisoners)

The Blueprint trilogy takes us to a future in which men and women are almost identical, and personal relationships are forbidden. Following a bio-terrorist attack, the population now lives within comfortable Citidomes. MindValues advocate acceptance and non-attachment. The BodyPerfect cult encourages a tall thin androgynous appearance, and looks are everything.

A dark undercurrent runs through the trilogy: the enforcement of conformity through fear, the fostering of distorted and damaging attitudes towards forbidden love, manipulation of appearance and even the definition of beauty. Despite seeming to be set in a distant and dystopian future, it is clear that many of the disturbing aspects of Katrina’s future world can be seen here and now; this should be a warning to us all. The books appeal to both an adult and young adult audience.


J.A. Christy aka Jacqueline Ward

J A Christy

J.A. Christy’s writing career began in infant school at the age of seven when she won best poetry prize with her poem ‘Winter’. Since then she has been writing short stories and has had several published in magazines and anthologies.

She holds a PhD in which she explores the stories we use in everyday life to construct our identities. Working in high hazard safety, she is a Chartered Psychologist and Scientist and writes to apply her knowledge to cross the boundaries between science and art, in particular in the crime, speculative and science-fiction genres.

She lives in Oldham with her partner and their dog. J.A. Christy also writes under the name Jacqueline Ward.

SmartYellow™

SmartYellow™ explores themes of social inequity and scientific responsibility. J.A. Christy’s first speculative fiction novel leads her heroine Katrina to understand how probability, hope and empathy play a huge part in the flow of life and are absent in the stagnation of mere survival. As readers we also start to question how we would know if the power of the State to support and care for the weak had become corrupted into the oppression of all those who do not fit society’s norms.

SmartYellow™ offers a worryingly plausible and chilling glimpse into an alternate Britain. For the sake of order and for the benefit of more fortunate members of society, those seen as socially undesirable are marked with SmartYellow™, making it easier for them to be controlled and maintained in a state of fruitless inactivity. Writer, J.A. Christy, turns an understanding and honest eye not only onto the weak, who have failed to cope with life, but also onto those who ruthlessly exploit them for their own ends. At times tense and threatening, at times tender and insightful, SmartYellow™ is a rewarding and thought-provoking read.


Alison Buck

Alison Buck

Like all of us, Alison Buck has led many lives.

One as a sensible, hard-working type, employed in financial systems, graphic design and web site development.  Another as a writer, scribbling away, committing her stories to disc and eventually publishing several to reasonable acclaim.  Throughout all of them, the mother of two and wife of one.

Skilled at exploring the psychology and interior lives of her characters, Alison delivers stories that range from chilling tales of horror through insightful contemporary drama to thought-provoking science fiction.  Her empathy with her protagonists, her rich descriptive prose and her use of gentle humour serve to ensure that, whatever the setting, her stories are always a rewarding read.

Abiding Evil

Abiding Evil, Alison’s second published novel, was a bestselling psychological horror story. A sleeping menace is roused deep in the darkness of a forest. For decades it grows, biding its time, reaching out to tug at the ordinary lives of those living beyond the shadow of the trees. Their children begin to disappear.

Unaware and unsuspecting of the danger, a group of families, friends for many years, journey to a newly re-opened hotel. It stands alone in a clearing a mile or more within the forest boundary. For some this will be their last reunion.

The long-awaited sequel will be published this year by Elsewhen Press.

Alison is also a talented artist who has designed many of the covers for our books. She is one of the co-founders of Elsewhen Press.


“excellent in every regard” – review of The Wages of Sin on Risingshadow

Cover: Alex StorerOn Risingshadow.net, Seregil of Rhiminee has recently reviewed The Wages of Sin by Zoë Sumra – the second book in her Underside series. Having enjoyed the first book Sailor to a Siren, Seregil was pleased that this book was “just as entertaining and epic”. In fact Seregil writes: “I’m glad to say that, in this novel, the author fulfills the promise that she showed in her debut novel and delivers a rewarding, satisfyingly complex and action-packed story that feels wonderfully fresh and exciting. I was positively surprised by it, because it exceeded all of my expectations.” Seregeil expands on this later: “Just like Sailor to a Siren, The Wages of Sin is a prime example of how to write compelling, fast-paced and gritty space opera for adult readers who want to be entertained by a good story. There aren’t any boring or stale moments in this novel, because the author makes sure that there’s always something going on to satisfy the needs of readers who enjoy action scenes.”

You can read the whole of Seregil’s review on Risingshadow here.

 

Nine Worlds 2017 – we had a blast!

We had a great time at this year’s Nine Worlds Geekfest. We had only just returned from a wedding in the South of France (where we first had to acclimatise to the heat), when we were rushing around preparing for our biggest convention of the year, in the damp and dull London weather. But as soon as we arrived at the Novotel everything brightened up (apart from the weather!)

The first sight to welcome attendees was the sign inviting us into the convention centre and leading to the registration desks.

On arrival at Nine Worlds

We had the honour and privilege to be gold sponsor for this year’s Nine Worlds and had a very visible presence which was very humbling (every room had a display outside with our planet-clock logo next to the Nine Worlds logo as above). We were very proud to be supporting such a fantastically inclusive event.

One of the benefits of being sponsor was to be able to provide a booklet for the attendees’ goody bags. As we were having a launch party for two books on Saturday afternoon, it seemed like the best use of that opportunity would be to provide a sampler of both books, as well as the chance to show off our lovely authors, artists (and now, first voice artist) as well as all our book covers. (I have already blogged about this booklet when we delivered it on the Wednesday beforehand, but in case you missed that, here’s a look at it anyway:)

Elsewhen Press goody bag booklet for Nine Worlds 2017

Friday morning started off rather busy as we had exciting news to pass on: a Press Release about Rebecca Hall’s Symphony of the Cursed trilogy being released as unabridged audiobooks by Tantor Audio; and Peter R. Ellis’ new September Weekes novel Cold Fire (following on from his Evil Above the Stars series) being available in eBook format.

We had a double table in the Vendors’ room and spent the rest of Friday morning setting it up. If you’ve seen us at any other events you’ll recognise our layout:

Our table at the start of Nine Worlds

When the doors to the Vendors’ room opened at 1 o’clock, there was a queue of people waiting outside. But, overall, Friday was fairly quiet (as at most conventions). Throughout the rest of the weekend it was always clear when the panels had ended (there was a 45 minute gap between sessions to allow for winding down, setting up and getting from one panel to the next – a model that should be followed by other conventions!) as the Vendors’ room quickly filled up for about half an hour and then thinned out for the next hour. After the first of these influxes of people it became clear that we had insufficient light above half of our table (and some other vendors’ tables too) as most of the ceiling lights were in the centre of the room putting our table in the shadow of anyone who was standing trying to look at our books. Meriel from Nine Worlds was looking after the vendors and she and Jess (who was the Nine Worlds interface with the hotel) set off on a mission to resolve the problem. The hotel had no standalone lamps to offer, but a while later Jess re-appeared with a whole load of very cool strings of lights, that she had bought at a nearby Primark, and distributed them to those vendors who needed more light.

Our table at Nine Worlds with added fancy lights

The lights proved to be an attraction in themselves and I’m sure Jess could have made a decent commission supplying them to all the people who came up to ask where we had got them!

As at last year’s Nine Worlds, we spent the weekend chatting to some lovely people: imaginative, amusing, entertaining, thoughtful, even profound at times. It didn’t matter whether they were in the guise of a squirrel, dalek, alien, evil witch, jedi, lemming, or even human. The Nine Worlds attendee badges included communication preference overlays and pronoun stickers to help ensure not just inclusivity but also prevent inadvertent offence (another model that could usefully be followed by other conventions).

We also endeavoured to sell some books, of course, and had spirited discussion on the relative merits of eBooks and print editions (and, indeed audiobooks) with more than one visitor to our table.

On Saturday evening, at 5pm, we held the aforementioned book launch party. Setting up was greatly eased by the unexpected help provided by Nine Worlds staff who were on hand to reconfigure the room for us. We had John Gribbin and Zoë Sumra reading from their new books (Don’t Look Back and The Wages of Sin, respectively), and talking a little about themselves and their writing in response to questions from the audience and from our interviewer Peter R. Ellis. The audience was not as large as we had hoped – but it’s quality not quantity that’s important and they were a splendid bunch of people! The other advantage of fewer attendees is that we had plenty of wine left over to bring home (which we will be quietly drinking over the next few months).

Launch with Zoë Sumra, Peter R. Ellis, John Gribbin

All too soon, Sunday afternoon arrived and the Vendors’ room closed its doors and everyone started disassembling their tables. Within an hour, we had our books, posters and other paraphernalia all packed into boxes ready to be taken home (courtesy of our youngest daughter) – and once again the ever-helpful Nine Worlds staff quickly moved our boxes down to the loading area for us while we waited for the car.

All packed and ready to go home

Sunday evening was spent in a nearby Italian restaurant with friends, enjoying delicious food and lively conversation. Monday morning we checked out and headed for the train home.

Although we have been attending conventions almost since the inception of Elsewhen Press, it is still both exciting and exhausting. So we are always very grateful for the help that we get from our authors, friends and the convention organisers and volunteers. This year’s Nine Worlds was no exception. We made it through, more or less retaining our sanity, thanks to the support and help of our authors Siobhan McVeigh, Peter R. Ellis, Christopher Nuttall (along with Aisha and, of course, Eric who gains more fans at every convention!), Zoë Sumra (with Misha and Sylvianne), John Gribbin, Rebecca Hall, Edwin Hayward, and Susan Oke, and the support of Nine Worlds staff and volunteers especially Meriel and Jess.

 

Booklet from Nine Worlds 2017 goody bag.

We were Gold Sponsor for this year’s Nine Worlds convention, and one of the benefits was to be able to supply a booklet to be included in attendees’ goody bags. As we were having a launch party for Zoë Sumra’s The Wages of Sin and John Gribbin’s Don’t Look Back on the saturday night we thought it would be a nice idea to include an excerpt from each to whet attendees’ appetites. So, as well as having: a bit of blurb about us; pictures of all of our authors, artists and (now, ‘our’ first voice artist); and the covers of all our books; it also included chapter 4 of Zoë’s book and the eponymous short story from John’s.

Elsewhen Press goody bag booklet for Nine Worlds 2017

But now Nine Worlds is over it seems a shame that anyone who was not there should be left out. So we have a pdf version for you to download here.

 

The Wages of Sin, the second book in Zoë Sumra’s Underside series, published today

Following on from the success of her debut novel, this latest instalment introduces an interplanetary murder mystery into the ‘space opera meets gangland thriller’ series

DARTFORD, KENT – 09 June 2017 – Elsewhen Press, an independent UK publisher specialising in Speculative Fiction, is delighted to announce the publication today of The Wages of Sin by exciting young science fiction author Zoë Sumra. Her impressive debut Sailor to a Siren was the first in the Underside series, which introduced science fiction fans to a credible universe of incredible depth and detail. Bringing an element of gangland thriller to the space opera genre was an inspired innovation, delivering some amazing characters as well as an exciting adventure. With The Wages of Sin, Zoë has brilliantly brought another thread into the mix with a murder mystery that starts off apparently very parochial but soon encompasses some of the most significant players in the galaxy.

Cover: Alex Storer
Cover: Alex Storer

The stunning cover was designed by artist Alex Storer.

In The Wages of Sin, one young woman dies and another vanishes on the same chilly spring night. Connor Cardwain sees no reason to link his cleaner Merissa’s murder to a mystery anchored within a high- end warship sales team, but reconsiders his position when he realises both women were connected to a foreign runaway.

Armed with an enterprising widow, an imperial spy and his own wits, Connor sets out to find the missing woman, in a city streaked with vice and a planet upturned by other ganglanders’ ambition. If he fails to beat arms dealers, aristocrats, pirates and human traffickers at their own game, he and all his team will pay the price – and the wages of sin are death.

We were introduced to Zoë’s universe, not to mention Connor Cardwain et al, in her acclaimed debut novel Sailor to a Siren, the first book in the Underside series:

“If you like your space opera fast and violent, [Sailor to a Siren] is for you” – Jaine Fenn

“[Sailor to a Siren is] a perfect example of how to write entertaining and fast-paced space opera for adults with compelling characters and gritty scenes … she is a talented author who has managed to pack a lot of story into a single novel and she has done it well. (More, please!)” – RisingShadow

“Zoë Sumra’s world-building is the best I have seen in a very very long time … an outstanding debut novel” – Marion L. Thorpe

The Wages of Sin is available from today on popular eBook platforms. It will be available in paperback from July 31st.

Notes for Editors

About Zoë Sumra

Zoë SumraZoë Sumra was born in London, but spent her later childhood living in Lancashire, where she started writing novels at the age of twelve due to extreme boredom. After completing the obligatory epic fantasy trilogy in her teens, she spent four years at the University of St Andrews, where she learnt to fence both foil and sabre and cemented her passion for space opera. She now lives in London with her husband, their daughter and a collection of swords. Zoë writes when she’s not fencing, looking after her daughter, or working as a print controller for an advertising company. Sailor to a Siren, her first novel, was published by Elsewhen Press in July 2015.

About Alex Storer

asavatarAlex Storer is a graphic designer, artist/illustrator and musician from Sheffield, UK. The advent of pixel art and the vibrant graphics of the Commodore Amiga in the early 1990s was a turning point for Alex, giving him his first taste of digital artwork, leading to a career in graphic design. However, a lifelong interest in science fiction came full circle in 2010 when Alex began producing his own brand of science fiction artwork. Taking influence from classic science fiction and the space art greats of the 1970s and 80s, his work pays homage to yesterday’s visions of tomorrow yet remains contemporary and distinctive in style. In 2012, Alex was invited to join the Initiative for Interstellar Studies as an honorary musician and artist. Alex first produced cover art for Elsewhen Press in 2015.

 

“Outstanding” – review of Sailor to a Siren on Marian L Thorpe’s Words and Birds blog

Artwork: Alison Buck
Artwork: Alison Buck

On her blog Words & Birds, Marian L Thorpe (writer, birder, reviewer, artist) has just posted a review of Sailor to a Siren by Zoë Sumra.

Marian starts by describing Sailor to a Siren as “classic science fiction, belonging to the genre that gave us Dune and The Sardonyx Net”, then compliments Zoë by saying her “world-building is the best I have seen in a very very long time” while the characters are “fully-realized people”. She goes on to describe the complexity of the universe that the characters inhabit, yet the ease and subtlety with which Zoë conveys it. Punctuated, she says, “with descriptions of stunning precision and beauty”.

She adds “This is one of the rare books where I have no ‘niggle’ to report” and concludes by awarding 5 stars “five stars plus, if I could” for an “outstanding debut novel”. Thanks Marian.

You should read Marian’s full review on her blog here.

 

Zoë Sumra at Sci Fi Bromley on 24th September

Artwork: Alison Buck
Artwork: Alison Buck

Zoë SumraThe 2nd Sci Fi Convention in Bromley (Kent) is celebrating the 150th anniversary of H.G. Wells (born 150 years ago today in Bromley High Street!) with free entry to loads of events in the Town Centre on Saturday 24th September. With replica props, cosplay, authors, special guest actors & signers, exhibitions, workshops and a traders market, there’s plenty for everyone. Even better, Zoë Sumra, author of Sailor to a Siren, will be on an author panel and signing copies of her book afterwards.

You can find out more about Sci Fi Bromley from their website here.

 

“addictive, fast-paced and highly entertaining” – review of Sailor to a Siren on Risingshadow

Artwork: Alison Buck
Artwork: Alison Buck

On Risingshadow.net, Seregil of Rhiminee has just reviewed Zoë Sumra’s debut novel Sailor to a Siren. He describes it as a novel “filled with entertaining action, intriguing characters and good worldbuilding” and adds that Zoë’s successful blending of space opera with elements that are often found in crime and thriller fiction is a “welcome and exciting addition” to the genre that sets it apart from other space opera and gives readers “an adrenaline rush through plot twists and surprises”. He goes on to say that there are a few science fiction novels in which the authors combine different genres but “this novel feels refreshingly different”.

Seregil is impressed by Zoë’s “skillful storytelling with an emphasis on fast-paced action and entertainment”, enjoying the way the story gradually unfolds. He says “To be honest, it’s been a while since I’ve read anything as good and entertaining as this novel when it comes to fast-paced space opera novels”. He commends the depth of the characterisation, as fast-paced space operas tend to emphasis action over character development. Zoë’s main characters are compelling, he says; the Cardwain brothers are “strangely likeable” despite being criminals, and Éloise is fascinating.

He is also very complimentary about Zoë’s worldbuilding which is “excellent”, and goes on to say that he has “a feeling that the author has a lot more in store for her readers and she will continue to write more stories about the same universe, because this novel gives readers a tiny yet fascinating glimpse into the universe she has created. I look forward to reading more novels by her, because she is a talented author who has managed to pack a lot of story into a single novel and she has done it well. (More, please!)”

One of the best things, he says, is that Zoë “has created a satisfyingly complex story” that becomes “increasingly interesting” as it unfolds, adding that “it’s pure entertainment from start to finish”. The story moves forward fast “which is great” and the action scenes are “well written”. But, he says, “there’s much more to this novel than meets the eye”. Although, at first, it may seem to be merely an action-filled novel, it has a “lot of hidden depth” that is revealed through dialogue and how the characters react to events.

Seregil finishes by saying that Sailor to a Siren is “excellent entertainment”. He highly recommends it to fans of space opera and action filled sci-fi. In conclusion he writes: “It offers you action, complex situations and plenty of entertainment in a marvellous all-in-one package. It’s a perfect example of how to write entertaining and fast-paced space opera for adults with compelling characters and gritty scenes.”

You can (and should) read Seregil’s full review here.

 

Sailor to a Siren, highly anticipated space opera by Zoë Sumra, published today

With the dedication that comes from attention to detail, Zoë Sumra has developed a rich universe in which to set her stories. Now it is fully realised as the first of those stories is revealed in the enthralling thriller Sailor to a Siren.

DARTFORD, KENT – 17 July 2015 – Elsewhen Press, an independent UK publisher specialising in Speculative Fiction, is delighted to announce the publication today of the highly anticipated Sailor to a Siren by the exciting new science fiction author, Zoë Sumra. A space opera novel with significant nods to the gangland thriller genre, it is the first entrée into a universe created by Zoë that has a level of detail and depth far beyond that normally found in a debut novel. The work she has invested, in developing, finessing and peopling this very credible universe, is revealed with a refreshing lightness of touch in the first of what promises to be a highly popular series ranging across generations and throughout many sectors of space.

Artwork: Alison Buck
Artwork: Alison Buck

When Connor and Logan Cardwain, a gangster’s lieutenants, steal a shipment of high-grade narcotics for their boss, Connor dreams of diverting the profits and setting up in business for himself. His plans encounter a hurdle in the form of Éloise Falavière, Logan’s former girlfriend, who has been hired by an interplanetary police force’s vice squad to stop the drugs shipment from being sent to her home planet. All of their plans are derailed, though, when they discover that the shipment was hiding a much deadlier secret – the prototype of a tiny superweapon powerful enough to destabilise galactic peace.

Soon, crime lords, corrupt officials and interstellar magicians are pursuing them, and Connor, Logan and Éloise realise they have to identify and confront the superweapon’s smuggler in order to survive. But, when one by one their friends begin to betray them, their self-imposed mission transforms from difficult to near-impossible.

Pete Buck, Editorial Director of Elsewhen Press, said, “This great debut from Zoë Sumra establishes her as a name to watch in epic space opera. The depth of her characters, the breadth of her world-building, the ambition and longevity of her story-arcs spanning multiple generations of families, all make this a first step in what will be a fascinating and enthralling universe. These are stories that deserve to be told, from a story-teller who deserves to be heard.”

Sailor to a Siren is published today by Elsewhen Press in digital format on all popular eBook platforms and will be published in paperback in November.

Notes for Editors

About Zoë Sumra

Zoë SumraZoë was born in London, but spent her later childhood living in Lancashire, where she started writing novels at the age of twelve due to extreme boredom. After completing the obligatory epic fantasy trilogy in her teens, she spent four years at the University of St Andrews, where she learnt to fence both foil and sabre and cemented her passion for space opera. She now lives in London with her husband and a collection of swords. When she’s not writing or fencing, Zoë works as a print controller for an advertising company.